Philips N1700

The long-play version of the original Philips N1500. Also had the luxury of a digital clock for timed operation (the N1500 had an analog clock). The Philips VCR format used a cassette quite unlike modern types. The two spools of tape were arranged not side-by-side but one above the other. The tape took a diagonal path from lower spool to upper, resulting in the player's head drum being vertical. Modern VHS machines have an angled head drum.

Sony C20 Betamax

Of course, no video collection is complete without a Betamax. Mine's a non-working Sony C20, but I'm looking for a C7, or one of the Sanyo models that could record in audio-only mode. Perhaps the ultimate Betamax machine is the Betastack, a sort of autochanger for video tapes that fitted on top of one of the more sophisticated players.

Philips Video 2000

The new, innovative and doomed video format from Philips. Tapes could record four hours on each side, i.e. eight hours in all. I have a few of the older VR2020 generation, in various states of non-function. One of them has the optional extra remote control, which comprised an infra-red receiver, a decoder box and the control itself. I usually use the newer VR2324 model (actually badged by Pye as a 23VR24), which is new enough to have a SCART socket on the back. Lots of info on Video 2000 (and Betamax and U-matic, too) at PALsite.

Technicolor 212E

Introduced in the early 1980s, this forgotten video cassette system is based on a tiny quarter-inch tape format. It was designed for use as a portable video system with a camera, rather like a modern camcorder. In fact, it was intended as a replacement for 8mm home movies.

It came with a video camera, a JVC model GX-44E. It has a vidicon tube, unlike a modern CCD camera. The vidicon can't produce a picture in poor light, which rather limits its usefulness as a home movie system.

I have the recorder, camera and power supply but no tuner. Unfortunately, I have only one tape. The tape has the initials CVC on it, standing for Compact Video Cassette.

Amstrad VMC100 VHS-C camcorder

VHS-C, or Compact VHS, was introduced solely for use in camcorders. It uses the same tape and tape format as VHS, but in a much smaller cassette, which only contains enough tape for 30 minutes recording (60 minutes in long-play mode). The VHS-C cassette is then inserted into a special holder, the same size and shape as a full-size VHS cassette, and played back in a normal VHS player.

The Amstrad VMC100, introduced in 1988, is a very basic (and very cheap) camcorder. It has no zoom lens, no focusing, no playback capability and a simple optical viewfinder. It can't even rewind the VHS-C cassette (you have to use the adaptor and the full-size VHS machine for that). It does have a switch for SP/LP mode, and a white-balance switch. Most of the bulk of the camcorder is taken up by the cassette mechanism, with just the front section containing all the electronics (maybe 20% of the total length).

CED Video Disk

CED stands for Capacitance Electronic Disk, an RCA invention. The disk is housed in a rigid plastic sleeve that the player unlocks and removes. Quite a few of the disks are music videos, perhaps due to the availability of stereo sound in this format. I have a copy of Das Boot on CED format video disk. CED Magic.

Laser Disk

Huge, thick and heavy disks, silvered like a CD but holding an analog video signal. Each side of a disk could hold about an hour of video, so feature films require a pause in the middle to flip the disk over. Some films are on two disks. Again, a stereo sound track is available, and sometimes even a dual mono arrangement with different audio content on the two channels. I have several examples of video disk players, starting with the original Philips VLP600. My newest model is a Pioneer CLD-S310S, which is the only model I have that's capable of playing the newer, digital soundtrack disks.

Sony Half-inch Video Tape

Sony introduced a half-inch, reel-to-reel, helical scan video system in about 1964. The system was monochrome and available in both 525-line and 625-line versions.

The model CV-2100ACE recorder is big and heavy with all the circuitry made using discrete transistors. There's no timer, tuner or RF modulator.

Machines like this were distributed to many schools in the UK during the 1970s, along with large video monitors in big wooden cabinets. This was an early attempt to use video as a teaching aid, but it didn't seem to catch on until VHS arrived.

U-matic

Sony introduced U-matic in 1971 with a three-quarter inch tape cassette that could record for one hour. This system became very popular with industrial and broadcasting users, and is still used today. It could record in colour, and both NTSC and PAL versions were made. The sound track is dual and could be used either as stereo or as two completely separate tracks.

The U-matic machine is a JVC top-loader. Like the reel-to reel, there's no timer, tuner or RF modulator.

Sinclair Microvision pocket TV

The original Sinclair pocket TV was a multi-standard set, designed to work on most of the TV systems in the world. It was marketed as the ideal thing for world travellers to take with them and watch wherever they went. This example is the later, UK-only version. It has, of course, far fewer controls and was sold as a straightforward portable TV. The tube is fairly conventional, although it uses electrostatic deflection rather than the usual (for TV) magnetic deflection. The same tube was used by the Sinclair instrument division (later known as Thandar) in a portable oscilloscope.

Sinclair FTV-1 Flat-screen TV

The last of the Sinclair pocket TVs was the FTV-1, the flat-screen model. It has a very novel CRT which reduces the thickness of the TV dramatically. It fires the electron beam from one side (right, when the TV is held normally) and deflects it to strike the phosphor screen from the front. The resulting picture is distorted, so there are two ingenious correcting mechnisms. One is an electronic scanning system that corrects for distortions within the CRT, while the other is an anamorphic lens that corrects the aspect ratio of the image. The rest of the electronics has been reduced to little more than a single chip, although the parts are not so small that they are surface-mounted, as in a modern device. Even the battery is novel, being a thin, flat 6-volt battery made by Polaroid. It was designed to go inside Polaroid instant film packs, but is no longer obtainable as a replacement for the TV.